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The latest:

The Henrys have a new record mixed, mastered and ready to be released November 1, 2024, here and on our Bandcamp page. There will be a CD release concert at the Tranzac Club in Toronto a week later, on November 8. It’s a dual release, also involving our friends, Andrew Downing’s Utopia Ontario project. A couple of Utopians are in The Henrys, and a Henry or two will dabble in Utopianism, so it will be a fun and interesting evening with some great players and plenty of beautiful instruments.

You can buy tickets to the concert here.

Regarding the records being released, these two bands, independently, arrived at a surprisingly similar place, both in the blending of styles and the choice of instruments. Which is why we decided to present our new records together. Come to the show!


Uneasy Listening

Not the latest:

Welcome to this website about Toronto band The Henrys. We’ve been writing, performing and recording original music since 1990. Nine albums (and two related), concerts at The Bottom Line (NYC), the North Sea Festival (The Hague), SXSW, etc. The band uses some oddball instruments (kona and other acoustic and electric steel guitars, pump organ, conch shell, etc) to define the sonic areas of our original compositions, which don’t fall easily into any genre, but draw on a variety.

Our new record, Secular Hymns and Border Songs, is out November 1/’24. The previous, Shrug, came out in 2022. Before that, Paydirt, which was nominated for a ‘Pushing the Boundaries’ Canadian Folk Music Award 2021, and was chosen by British journalist Richard Williams as one of the best releases of 2020.

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Recordings

Secular Hymns and Border Songs (2024)

Shrug (2022)

Paydirt (2020)

Quiet Industry (2015)

Is This Tomorrow (2009)

Joyous Porous (2002)

Desert Cure (1998)

Chasing Grace (1996)

Puerto Angel (1994)

The Yearly Ears (dig.comp.’94-98)

Coasting Notes (by Three Metre Day)

and one by Don Rooke:

Atlas Travel (2003)

And one by Don and Kevin Breit (2023)